Lives of all saints commemorated on April 16

Commemoration of Saints Raphael, Nicholas and Irene of Lesbos

The Newly-Appeared Martyrs of Lesbos, Saints Raphael, Nicholas and Irene These Saints were martyred by the Turks on Bright Tuesday (April 9, 1463) ten years after the Fall of Constantinople. For nearly 500 years, they were forgotten by the people of Lesbos, but “the righteous Judge... opened the things that were hid” (2 Maccabees 12:41). For centuries the people of Lesbos would go on Bright Tuesday to the ruins of a monastery near Thermḗ, a village northwest of the capital, Mytilene. As time passed, however, no one could remember the reason for the annual pilgrimage. There was a vague recollection that once there had been a monastery on that spot, and that the monks had been killed by the Turks.

In 1959, a pious man named Angelos Rallis decided to build a chapel near the ruins of the monastery. On July 3 of that year, workmen discovered the relics of Saint Raphael while clearing the ground. Soon, the Saints began appearing to various inhabitants of Lesbos and revealed the details of their lives and martyrdom. These accounts form the basis of Photios Kontoglou’s 1962 book A Great Sign (in Greek).

Saint Raphael was born on the island of Ithaka around 1410, and was raised by pious parents. His baptismal name was George, but he was named Raphael when he became a monk. He was ordained to the holy priesthood, and later attained the offices of Archimandrite and Chancellor.

In 1453, Saint Raphael was living in Macedonia with his fellow monastic, Deacon Nicholas, a native of Thessaloniki. In 1454, the Turks invaded Thrace, so the two monks fled to the island of Lesbos. They settled in the Monastery of the Nativity of the Theotokos near Thermi, where Saint Raphael became the Igoumen.

In the spring of 1463, the Turks raided the monastery and captured the monks. They were tortured from Holy Thursday until Bright Tuesday. Saint Raphael was tied to a tree, and the ferocious Turks sawed through his jaw, killing him. Saint Nicholas was also tortured, and he died while witnessing his Elder’s martyrdom. He appeared to people and indicated the spot where his relics were uncovered on June 13, 1960.

Saint Irene was the twelve-year-old daughter of the village mayor, Basil. She and her family had come to the monastery to warn the monks of the invasion. The cruel Hagarenes cut off one of her arms and threw it down in front of her parents. Then the pure virgin was placed in a large earthen cask and a fire was lit under it, suffocating her within. These torments took place before the eyes of her parents, who were also put to death. Her grave and the earthen cask were found on May 12, 1961 after Saints Raphael, Nicholas and Irene had appeared to people and told them where to look.

Others who received the crown of martyrdom on that day were Basil and Maria, the parents of Saint Irene; Theodore, the village teacher; and Eleni, the fifteen-year-old cousin of Saint Irene.

The Saints appeared separately and together, telling people that they wished to be remembered. They asked that their icon be painted, that a Church Service be composed for them, and they indicated the place where their holy relics could be found. Based on the descriptions of those who had seen the Saints, the master iconographer Photios Kontoglou painted their icon. The ever-memorable Father Gerasimos of Little Saint Anne Skete on Mount Athos composed their Church Service.

Many miracles have taken place on Lesbos, and throughout the world. These Saints hasten to help those who invoke them, healing the sick, consoling the sorrowful, granting relief from pain, and bringing many unbelievers and impious individuals back to the Church.

Saint Raphael is tall, middle-aged, and has a beard of moderate length. His hair is black with some grey in it. His face is majestic, expressive, and filled with heavenly grace. Saint Nicholas is short and thin, with a small blond beard. He stands before Saint Raphael with great respect. Saint Irene usually appears with a long yellow dress reaching to her feet. Her blonde hair is divided into two braids which rest on either side of her chest.

Saints Raphael, Nicholas, and Irene (and those with them) are also commemorated on Bright Tuesday. Dr. Constantine Cavarnos has given a detailed account of their life, miracles, and spiritual counsels in Volume 10 of his inspirational series Modern Orthodox Saints (Belmont, MA, 1990).

The Appearance of the Ivḗron (Portaίtissa) Icon of the Most Holy Theotokos on Mount Athos

This Icon was the property of a pious widow who lived in the area of Nicaea in Asia Minor during the time of the iconoclastic Emperor Theophilos (829-842). When the Emperor’s men arrived there to find and destroy every holy icon, this faithful widow threw the wonderworking Icon of the Theotokos into the sea. Then she beheld a strange wonder. The Icon stood upright on the water and traveled westward across the waves in this position.

After a time the Icon arrived in front of the Ivḗron Monastery on Mount Athos. A certain ascetic named Gabriel took it from the water, and gave it to the monks. They built a small church for the Icon near the gate of the monastery, and placed the Icon there. From that time it was known as the Portaίtissa, or Gate-Keeper.

Since then the Most Holy Theotokos has worked many miracles through her holy Icon. She has cured those who were possessed by demons, healed those who were lame, and given sight to the blind. At the same time, she has protected the monastery from every danger and saved it from invasions of foreigners. Among those who received benefit from the Portaitissa was a Russian princess, the daughter of Tsar Alexei Michailovitch (1651).

The Icon arrived at the Holy Mountain on Bright Tuesday in 1004. Therefore, the Ivḗron Monastery celebrates this radiant festival even to the present day. The Divine Liturgy takes place in the church by the sea, where a spring gushed forth at the place where the Icon had rested.

The Ivḗron (Portaitissa) Icon is also commemorated on February 12, March 31, and October 13.

Ktitórissa or Bematárissa Icon of the Most Holy Theotokos of Vatopaidi Monastery. (Παναγία Κτιτόρισσα ή Βηματάρισσα)

When certain Arabs invaded Vatopaidi Monastery, Hierodeacon Savva, the Bematáris (custodian of the sanctuary) was responsible for the sacred relics and other valuables kept there. He managed to hide the Icon and Constantine's Cross in a well of the Holy Altar, with an oil lamp burning before them. The monastery was looted and the monks were taken captive and brought to Crete. Seventy years later, Hierodeacon Savva was released and he returned to his monastery. There he found some young monks whom he didn't know, and they knew nothing about the hidden relics. Then they uncovered the well and discovered the Icon and the Cross standing upright upon the water, with the oil lamp still burning!

Today the Ktitórissa Icon is in the synthronon (stone seats behind the altar) of the Holy Sanctuary, and it is also called the Foundress, or Builder, because her discovery may be related to the rebuilding of the monastery by three brothers (the monks Athanasios, Nicholas and Anthony) who lived there around the end of the X century.

In memory of this event, the Paraklesis (Canon of Supplication) to the Theotokos is sung every Monday evening, and the Divine Liturgy is served every Tuesday morning in the katholikon. The Ktitórissa Icon is honored on Bright Tuesday, when it is taken around the Monastery in procession.

The Martyrs of Saint David of Garesja Monastery in Georgia in 1616 (also April 4)

Venerable Patápios, Nikon, and Hypomonḗ.

These Saints struggled in a cave where the Monastery of Saint Patápios was built (in the metropolis of Corinth). There the skulls of Saint Patápios the New and Saint Hypomonḗ are treasured, and also the jaw of Saint Nikon the New. These holy relics were placed in silver reliquaries by the Most Reverend Metropolitan Panteleimon (Karanikola).

Saint Patápios is also commemorated on December 8.

The Holy Martyrs Agape, Irene, and Chionia were sisters who lived at the end of the third century to the beginning of the fourth century, near the Italian city of Aquilea. They were left orphaned at an early age.

The young women led a pious Christian life and they turned down many offers of marriage. Their spiritual guide was the priest Xeno. It was revealed to him in a vision that he would die very soon, and that the holy virgins would suffer martyrdom. Also at Aquilea and having a similar vision was the Great Martyr Anastasia (December 22), who is called “Deliverer from Potions,” because she fearlessly visited Christians in prison, encouraging them and healing them from potions, poisons, and other harmful things. The Great Martyr Anastasia visited the sisters and urged them to endure all things for Christ. Soon what was predicted in the vision came to pass. The priest Zeno died, and the three virgins were arrested and brought to trial before the emperor Diocletian (284-305).

Saint Chionia (“snow” in Greek) preserved the purity of her baptism according to the words of the Prophet-King David, “You will wash me, and I shall be whiter than snow” (Ps. 50/51:7).

Saint Irene (“peace” in Greek) preserved the peace of Christ within herself and manifested it to others, according to the Savior’s word, “My peace I give you” (John 14:27).

Saint Agape (“love” in Greek) loved God with all her heart, and her neighbor as herself (Mt.22:37-39).

Seeing the youthful beauty of the sisters, the emperor urged them to deny Christ and he promised to find them illustrious bridegrooms from his entourage. The holy sisters replied that their only Bridegroom was Christ, for Whom they were ready to suffer. The emperor demanded they renounce Christ, but neither the elder sisters, nor the youngest, would consent. They called the pagan gods mere idols made by human hands, and they preached faith in the true God.

By order of Diocletian, who was leaving for Macedonia, the holy sisters were also to be brought there. And they brought them to the court of the governor Dulcititus.

When he saw the beauty of the holy martyrs, he was aroused with impure passion. He put the sisters under guard, and he told them that they would receive their freedom if they agreed to fulfill his desires. But the holy martyrs replied that they were prepared to die for their Heavenly Bridegroom, Christ.

Then Dulcititus decided to have his way by force. When the holy sisters arose at night to glorify the Lord in prayer, Dulcititus came to the door and tried to enter, but an invisible force prevented him. He staggered about, unable to find his way out. Then he fell down in the kitchen among the cooking utensils, the pots and pans, and he was covered all over with soot. The servants and the soldiers recognized him only with difficulty. When he saw himself in a mirror, he then realized that the holy martyrs had made a fool of him, and he decided to take his revenge on them.

At his court, Dulcititus gave orders to strip the holy martyrs. But the soldiers were not able to do this, no matter how much they tried. Their clothing seemed to be stuck to the bodies of the holy virgins. During the trial Dulcititus suddenly fell asleep, and no one could rouse him. Just as they carried him into his house, he immediately awoke.

When they reported to the emperor Diocletian everything that had happened, he became angry with Dulcititus and he gave the holy virgins over to Sisinius for trial. He began with the youngest sister, Irene. Seeing that she remained unyielding, he sent her to prison and then attempted to sway Saints Chionia and Agape. He also failed to make them renounce Christ, and Sisinius ordered that Saints Agape and Chionia be burned. On hearing the sentence, the sisters gave thanks to the Lord for their crowns of martyrdom. In the fire, Agape and Chionia surrendered their pure souls to the Lord.

When the fire went out, everyone saw that the bodies of the holy martyrs and their clothing had not been scorched by the fire, and their faces were beautiful and peaceful, as if they were asleep. On the day following, Sisinius gave orders to bring Saint Irene to court. He threatened her with the fate of her older sisters and he urged her to renounce Christ. Then he threatened to hand her over for defilement in a brothel. But the holy martyr answered, “Even if my body is defiled by force, my soul will never be defiled by renouncing Christ.”

When the soldiers of Sisinius led Saint Irene to the brothel, two luminous soldiers overtook them and said, “Your master Sisinius commands you to take this virgin to a high mountain and leave her there, and then return to him and report to him that you have fulfilled his command.” And the soldiers did so.

When they reported back to Sisinius, he flew into a rage, since he had given no such orders. The luminous soldiers were angels of God, saving the holy martyr from defilement. Sisinius went to the mountain with a detachment of soldiers and saw Saint Irene on the summit. For a long while they searched for the way to the top, but they could not find it. Then one of the soldiers wounded Saint Irene with an arrow. The martyr cried out to Sisinius, “I mock your impotent malice, and I go my Lord Jesus Christ pure and undefiled.” Having given thanks to the Lord, she lay down upon the ground and surrendered her soul to God on the very day of Holy Pascha (+ 304).

The Great Martyr Anastasia heard about the end of the holy sisters, and she buried their bodies with reverence.

The Holy Martyr Leonidas and the Holy Martyrs Charissa, Nike (Nika, Victoria), Galina, Kalista (Kalida), Nunekhia, Basilissa, Irene, and Theodora suffered at Corinth in the year 258. They threw them into the sea, but they did not drown. Instead, they walked upon the water as if on dry land, singing spiritual hymns. The torturers overtook them in a ship, tied stones around their necks and drowned them.

No information available at this time.

No information available at this time.

The Il'insk (Prophet Elias)-Chernigov Icon of the Mother of God was painted in 1658 by the iconographer Gregory Dubensky (Gennadios in monasticism). The history of the Icon's creation and its miracles are described by a witness of these events, Saint Demetrios, Metropolitan of Rostov, in the works "A Miracle of the Most Holy and Most Blessed Virgin Mary," and "The Bedewed Fleece" (Руно орошенное). Some miracles are also mentioned by Saint John (Maximovich), Metropolitan of Tobolsk (June 10) in a poem "To the Virgin Theotokos." In 1662 there was a miraculous flow of tears from the Il'insk-Chernigov Icon, which continued from April 16-24, in connection with which a Feast Day was appointed for the Icon. In the same year, Chernigov was attacked by the Tatars, who ravaged the city and its environs, including the Holy Trinity-Il'insk Monastery, but, as Saint Demetrios testifies, the Icon and its precious oklad remained unharmed. The brethren who had taken refuge in the underground caves were also spared.

From the XVII century, cases of miracles from the Il'insk-Chernigov Icon were recorded with particular care. In "The Bedewed Fleece," Saint Demetrios described in detail 24 miraculous healings (one every hour) from all sorts of ailments of the residents of Chernigov and its environs. The list of miracles was augmented when the book was reprinted. Thus, by 1696, there were 56 cases of healing (5 from blindness, 3 from a disease of the legs, 3 from "gostza" (rheumatism). 1 from paralysis, 15 from demonic possession, 14 from clouding of the mind, 15 from various chronic diseases, and 1 instance of a boy raised from the dead. In the XIX century, several healings were observed: a Romny bourgeois from a fever (1865), a Chernigov girl from a mental disorder (on the Icon's Feast Day in 1874), and an infant from a high fever (1887 or 1888), the son of a Poltava landowner from diphtheria (until 1898), and a staff captain from Sveaborg from a chronic illness (until 1898), and several others.

Before HolyTrinity Cathedral was built in the Monastery (1679-1695), the Icon was kept in the church of the Prophet Elias near the caves, to the right near the pillar closest to the iconostasis. In 1786-1794, in connection with the planned opening of the University of Holy Trinity-Il'insk Monastery at Chernigov, but this did not occur, so the Icon was placed in the Dormition Cathedral of the Yelets Chernigov Convent, which was dedicated to the Dormition of the Most Holy Theotokos. In the XIX century, the Icon was in the cathedral, but only during the summertime. In winter, the Icon was transferred to the heated church of the Nativity of Christ, and placed in a special case behind the right kliros. At the beginning of the XX century, in winter, the Il'insk-Chernigov Icon of the Mother of God was kept in the Sretensky church in the Bishop's residence, and a substitute icon was left in the cathedral. The wonderworking Icon disappeared after the closure of Holy Trinity-Il'insk Monastery in 1924.

At the end of the XVII century, by the initiative of Archbishop Lazarus (Baranovich) and at the expense of Hetman I. S. Mazepa (whose initials and coat of arms were on the case), a silver oklad and a kiot were made (these have not been preserved). A crown with precious stones was donated by the Chernigov Colonel V. Dunin-Borkovsky, who received healing from the Icon in 1687 The dimensions of the Icon (1 arshin, 5 vershkas by 14.5 vershts – 93.37×64.45 cm) were increased when placed in the kiot because it was overlaid with a frame covered with silver plates with additional images engraved on them (2 arshins 2 vershkas by 1 arshin 6 vershks (151.24×97.8 cm) together with the frame). Attached to the case were plaques with inscriptions: "This holy image of the Mother of God, called Il'insk-Chernigov, was painted in 1658" and "The miraculous flow of tears from the Icon apparently occurred in 1662, from the 16th to the 24th day of the month of April." "In 1662 the Tatars invaded the city of Chernigov, but the hands of the impious Saracens could not touch this wonderworking Icon." In 1897 the oklad was replaced by a new one, made in Moscow by M. N. Ryndin with donations from the residents of Chernigov. There was an inscription on it: "This silver riza was made to replace the old one, which had fallen into disrepair, with the blessing of Bishop Anthony of Chernigov and Nizhyn, with the zeal of the benevolent donors of Chernigov. Hierodeacon Varlaam was sent to Moscow to order this riza from the master M. N. Ryndin, 1897, the weight of this riza is 33 ф. 29 з."

Revered copies of the Il'insk-Chernigov Icon, made at the end of the XVII-XVIII centuries, were in all the churches of Chernigov. At present, two copies are venerated in the Yelets Dormition Monastery in Chernigov.

The wonderworking copy of the Chernigov Icon of the Mother of God, which was kept in the Gethsemane Skete of Holy Trinity-Saint Sergius Lavra, became famous in 1869.

The Icon belongs to the traditional Hodegetria type. The Child blesses with His right hand, and a scroll in his left. He sits on the left hand of His Mother. The heads of the Mother of God and the Child are slightly inclined toward each other, the Child's legs are tightly together. The figure of the Mother of God has an almost generational edge, characteristic of the southern and western Russian iconography of the Mother of God of the XVII century. The Child is dressed in a white shirt with a collar. A distinctive feature of Il'insk-Chernigov iconography. The Icon is a gesture of the Infant's hand stretched forward. Identical or fairly similar compositional solutions are present in a number of other wonderworking Icons of the Mother of God associated with Belarus and Ukraine (Borkolabovskaya, Trigorskaya, Poddubetska, Gerbovetskaya Icons of the Mother of God).

In copies of the wonderworking Icon, crowns were often depicted on the heads of the Mother of God and her Child, which were absent on the Icon itself, but were present on its oklad. For the first time, crowns were depicted in an engraving of 1683 in Saint Demetrios of Rostov's book "The Bedewed Fleece." Obviously, this engraving became a model for Ukrainian and Russian icons, and on such copies the identifying inscription at the bottom was usually repeated (icon of 1778, Chernigov State Icon, Historical and Architectural Museum-Reserve).

In 1686, Saint Pitirim (July 28) came to Tambov and, along with other relics, he brought with him a copy of the Il'insk-Chernigov Icon of the Mother of God, considered to be the patroness of the southwestern region. For this reason, the Icon was placed at the southwestern gate of the city. Over time, the Icon began to be called Tambov, especially since there were some differences between it and the Il'insk-Chernigov Icon of the Mother of God.

On the borders of the Icon, on the right and on the left, were depicted: Saint Alexei, the Man of God, and Saint Eudoxia. It is assumed that these were the heavenly patrons of Bishop Pitirim's parents, and it is quite possible that he himself painted the images of those Saints.

Later, on the site of the southwestern city gate, a small wooden church was built and dedicated to the Holy Apostles Peter and Paul. It was in this church that the Icon was kept. And when the merchant Ivan Utkin built the stone church of the Holy Protomartyr Stephen at his own expense in 1771-1778, the Tambov Icon was transferred there and placed in the altar above the altar. People began to call the church by the name of the builder Utkinskaya, and the Icon was later completely forgotten.

But the Queen of Heaven reminded people of herself. At the beginning of the XIX century, a priest in Kaluga, was suffering from a malady of his legs and could not walk. He saw this Icon of the Mother of God in a dream. She told him: "Find this icon. Pray before it and you shall be healed." After the dream, the priest received some relief from his illness, so that he was able to walk, and immediately he began to search for the Icon he had seen in the dream. After visiting various villages and towns, he finally reached Tambov, where, after inspecting all the churches, he found the Icon he had seen in his dream in the altar of the Utkin church. After praying before it, he received complete healing. This incident became widely known in the city, and afterward there were several more miraculous healings of the townspeople.

The Tambov Icon became famous again, and when in 1835 the old Utkin church was severely damaged. At the request of the townspeople, the right side altar was consecrated in honor of the Tambov Icon of the Mother of God. With the passage of time, the grateful Tambov residents adorned the Icon with a luxurious silver-gilt riza with many precious stones. There were so many cures from the Icon that there was no time to record all of them. In 1888, by decree of the Holy Synod, a Cross Procession took place in all the churches of the city on April 16 in honor of the Tambov Icon, and in 1900 the church was once again called the church of the Theotokos.

After the 1917 revolution, Tambov's churches were devastated, and the wonderworking Icon also suffered. The riza was removed and the stones were pried out, and then it disappeared without a trace. There are revered copies of the wonderworking Icon in the city.

The Tambov Icon is commemorated on April 16, and again on July 28 (the repose of Bishop Pitirim).